I've played the fuzz face (mine is an ancient germanium landmine) through Peavey Classic 30s (my favorite), Marshalls, Kustoms, Oranges, a Twin Reverb, even Diamonds and ENGLs (I tend to avoid those two as much as I can) and even a Jazz Chorus on one occasion, and IMO they all behave differently with a fuzz. The Dallas-Arbiter Fuzz Face has been around since 1966, and it shows no signs of dying any time soon. The Fuzz Face is particularly similar to the Sola Sound unit known today as the "Mk1.5" Tone Bender. The initial idea was to improve the TubeScreamer transient response and the midrange-bass frequencies in order to create a big open sound with a hint of tube clipping: the so-called transparent overdrive. [clarification needed] The original instructions even described the Fuzz Face as a "Tone-Bending" unit. The Vox Tone Bender (not to be confused with the Colour Sound Tone Bender) was a copy with only minimal changes to the the component values, and adapted to NPN silicon transistors. You can also follow us on: About us . Dunlop CryBaby GCB-95 Cicuit Analysis Follow us. The Fuzz Face is a distortion guitar pedal designed in London by Arbitrer Electronics Ltd in the autumn of 1966. One thing is, these circuits don't all end up sounding the same. Email Newsletter. Fuzz Face Analysis Pro Co Rat Analysis Boss DS-1 Distortion Analysis pedalSHIELD DUE Arduino Guitar Pedal. Arbiter Fuzz Face The Fuzz Legend Welcome to a legend. In the Fuzz Face article, the ultimate dictum most people put over their bed is the magic hfe range for fuzz face. The origin of the Fuzz Face circuit – the early Sola Sound Tone Bender MK II: The circuit found in the Fuzz Face appeared first in a competitor’s product, the early version of Sola Sound’s Tone Bender MKII. Contact us. However, the Big Muff Pi has a more complex circuit, sounds smoother across the frequency spectrum and many would say is ‘easier’ to use. The main difference is that contrary to the Fuzz Face, the first stage is a 2 transistors amplification stage, and it amplifies the signal enough so you do not need a feedback loop to make it bigger. This Fuzz Face is possibly the best sounding germanium fuzz pedal I've ever owned or built! Fuzz Face, think Hendrix’s Purple Haze; Big Muff Pi, think The Isley Brothers’ That Lady. 50+ videos Play all Mix - Fuzz Face Circuit Analysis YouTube Fuzz Detective: The Case of the 12 Germanium Fuzzes - Duration: 28:36. tonefiend by joe gore 64,930 view The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. The Klon Centaur in an overdrive guitar pedal designed by Bill Finnegan with the help of 2 MIT Electronic Engineers between 1990 and 1994. Smashing audio electronics since MMXIII . The main difference is that the Fuzz Face is biased slightly colder, making it more usable in warm environments. This analysis covers the first Arbitrer Fuzz Face model equipped with PNP germanium transistors from the first releases. That appeared earlier in 1966(left schematic). Klon Centaur Analysis. The Fuzz Face also attracted a number of clones even in the Golden Age. The Tonebender MkIII is finally quite close to a Fuzz Face: a first stage amplifies the signal, which in returns makes the last transistor saturates: here is the fuzz! This is the crucial paragraph: R.G. Electro-Harmonix Big Muffs have varied as much as Fuzz Faces over the years. The circuit was soon altered by Sola Sound – or perhaps more accurately one of the consultant boffins Sola Sound utilised. Also, there's an easy to build fuzz-face based schematic out there that uses low hFE silicon transistors, and a higher-than-usual resistance from the Q2 emitter to Q1 gate, for one, with a very 'pinched' gated sound your friend might like.